Showing posts with label Trash Metal. Show all posts
Showing posts with label Trash Metal. Show all posts

4 Aug 2013

Sacred Steel - Pounding Inferno (2006) EP

Sacred Steel - Pounding Inferno

The new SACRED STEEL album “Hammer Of Destruction“ received some well critics but the real deal is the bonus-CD of the limited box. This piece contains six songs, either unreleased or only available on vinyl. But these songs are in no way inferior; these are true killers.

Except for its chorus, the lyrics of the title track lists the names of older and newer cult bands and that sounds great (and it’s a pleasure to read as well). Okay, this might be no new idea, SABATON or RITUAL CARNAGE have done something like that, too but it’s fun to listen to it and to compare it with one’s own collection. The front cover furthermore illustrates a lot of old Metal artworks and fan merchandise and it’s just a feast for the eyes of every true Metal fan. The music is in the vein we all know from SACRED STEEL that means Metal without mercy. It’s very anthem-like but never too pompous. Especially the fantastic “A Curse Upon Your Name” is a must.

Apart from their self-composed tracks, there are still four fabulous cover versions. Their cover of DEATH’s “Zombie Ritual” is a killer. I have never heard such a convincing DEATH-tribute. But also their versions of RAVEN, NASTY SAVAGE and TANKARD are fantastic. So if you find this strongly limited box, don’t hesitate and buy it, there are furthermore a poster, a signed autograph card as well as special patch in it.

copas from http://www.metal-observer.com/articles.php?lid=1&id=11778

Tracklist:
  1. Pounding Inferno
  2. Children Of The Spirit
  3. Hell Insanity
  4. Unholy Majesty
  5. A Curse Upon Your Name
  6. Iron Blessing
  7. Zombie Ritual
  8. All For One
  9. Metal Knights
  10. (Empty) Tankard
 TKP

password : idfl.us

18 Jul 2013

Sodom - Epitome of Torture (2013) FLAC Ltd Edition

Sodom - Epitome of Torture

Sodom are a thrash metal band that has been around ever since the inception of the idea of thrash metal in the early 1980's. The band consistently released solid material back then before trailing off a little during the 1990's, although not half as much as fellow Teutonic thrashers Destruction or Kreator. During the 2000's however the band made a massive comeback with albums such as the magnificent M-16 and the equally good In War And Pieces. 2013 heralds the next installment in Sodom's discography, and unfortunately Epitome Of Torture is somewhat of a disappointment.

Epitome Of Torture is a ten track long affair that sadly just feels as though the band was going through the motions of wanting to just create "a thrash album" instead of "a classic of the genre" in the vein of Agent Orange. The riffs feel mediocre at best and are just tired and the vocals sound very strained, unlike the demented aggression that Tom Angelripper brought forth on their earlier works. Shoot Today - Kill Tomorrow was released as a teaser song from the album and this should say all that really needs to be said about Epitome Of Torture. The album is bland and devoid of life for much of its duration, aside from a chorus here and there and maybe a solo on a couple of songs which really is a shame given the quality of their earliest albums.

The riff work is the largest disappointment of this album. Sodom are one of the few bands who have always been capable of knocking out some fantastic songs despite the dwindling quality of albums released during the 1990's such as Tapping The Vein. On Epitome Of Torture they used their usual formula of a lot of tremolo picking with a few chord-based riffs scattered in between but it feels so tired now. The band used to have a lot of variety, including the nice drum fills that lead into new riffs but on Epitome Of Torture the drumming is bland as well. This album marks Markus "Makka" Freiwald's debut behind the kit and it really is not a good note to start off on.

The only songs here that stood out where S.O.D.O.M, with its magnificent chorus that shows that Angelripper does still have it in him to yelp his lungs out when he chooses to; Stigmatized which works due to its short length compared to the rest of the tracks; and My Final Bullet which kicks the album off with a lot of umph. Aside from this however the album is missing its killer songs or even killer moments which is one of the main things that made albums like Persecution Mania and Agent Orange stand out a little. The vocals are probably the worst thing here. They are not the worst vocals out there but they lack the fury and passion that Angelripper cast forth on other albums.

Epitome Of Torture is the first major thrash disappointment of 2013 and it is a shame to see a band such as Sodom stoop as low as this. If you want good Sodom either listen to the aforementioned solid tracks or check out their earlier releases as songs such as Shoot Today Kill Tomorrow really can not cut the mustard.

copas from http://www.sputnikmusic.com/review/56695/Sodom-Epitome-of-Torture/

Tracklist:
01. My Final Bullet [00:04:39]
02. S.O.D.O.M. [00:03:46]
03. Epitome Of Torture [00:03:31]
04. Stigmatized [00:02:55]
05. Cannibal [00:04:19]
06. Shoot Today-Kill Tomorrow [00:04:00]
07. Invocating The Demons [00:04:24]
08. Katjuscha [00:03:42]
09. Into The Skies Of War [00:03:50]
10. Tracing The Victim [00:04:45]
11. Waterboarding (bonus track) [00:05:06]
12. Splitting The Atom (bonus track) [00:04:28]

TKP

password: bidadari

8 Jul 2013

Death Dealer - War Master (2013)

Death Dealer - War Master
Do you feel like some energy is missing in recent records?
Do you think that today's musicians don't go straight to the point?
Are you sick of keyboards and female voices?
If you have any of these symptoms, Metal Traveller recommends a good dose of True Metal. Oh, there's a brand new medicine called Death Dealer. It tastes better when swallowed with beer instead of water, and you can have as much as you want!

Death Dealer play Heavy Metal, as pure and simple as it gets: killer riffs, great solos, high pitched screams and fast drums. Some might criticize that it's basic, others will be fascinated by this return to the roots. One thing is sure, every Heavy Metal fan will appreciate.

The first song is called Death Dealer, like the band, and it's like a punch in your face! This album is full of direct songs that will instantly make you want to headbang.
That's what happens when you listen to Warmaster and its great solo, to Hammer Down and its killer riff, or to Head Spikes Walls and its great chorus.
The Devil's Mile is probably the catchiest song, but you’ll also easily remember the ballad Children Of Flames.

So, who is behind Death Dealer? Well, no more no less than Ross The Boss and Rhino, both part of the ManOwaR brotherhood.
But wait, there’s more! The band’s dream line-up is completed by Sean Peck from Cage on vocals, Stu Marshall from Dungeon on guitars, and Mike Davis from Halford and ex-Lizzy Borden on bass.
Now it’s easier to understand why Death Dealer is so good in its style!

But beware, do not expect to hear a lost ManOwaR album, even if Death Dealer counts two former members of the band. The sound, the style and the structure of the songs are not the same.
For example, Death Dealer has twin guitar solos, there is no organ and the bass is not highlighted.

Do not expect either a renewal of this style of music, its lyrics or its imagery. Death Dealer is classic Heavy Metal as we like it, and they are very good at what they do!

War Master is a good pure Metal album so if you’re in need of a good dose of Heavy Metal, this is the right record for you. No Contraindications, unlimited dosage.

copas from http://www.metaltraveller.com/en/gigs/death_dealer/war_master.html

Tracklist:
01. Death Dealer
02. Never to Kneel
03. Warmaster
04. Children of Flames
05. Curse of the Heretic
06. Hammer Down
07. The Devils Mile
08. Liberty or Death
09. Heads Spikes Walls
10. Wraiths on the Wind

TKP

password : nymph

7 Jul 2013

Powerworld - The Rockhard Sacrament (2013) EP

Powerworld - The Rockhard Sacrament

Tracklist:
01. Amen & Attack 03:54
02. In The Name Of God 03:15
03. Headless Cross (Black Sabbath Cover) 06:09
04. Nightcrawler (Judas Priest Cover) 05:42
05. Living On A Nightmare 03:50
06. Amen & Attack (Orchestra Version) 04:55

TKP

password : IDFL.us

6 Jul 2013

Hammered - The Beginning (2013)

Hammered - The Beginning

Every band has to start somewhere and for HAMMERED this is quite literally “The Beginning”. After this, I got to be more appreciative of Italians. Their music is undoubtedly unique and even the genuinely bad ones have an interesting aspect to them. On the contrary, I’m apt to dislike their food or maybe I haven’t had real Italian food but I sure love their music. Now let me begin by describing this quintet’s debut from Gorizia, Friuli-Venezia Giulia.

“No Time For Us” begins with a lot of melody, guitars on both sides building up the song into who knows what. Then it hits you with a Thrash upstart rhythm as a basic guitar riff raises your adrenaline. The drummer, Alfredo Macuz, perfectly catalysts the song’s rhythm into maximum momentum. Tactical and simple strikes capturing the aurora majesty. Then, a technique common with IRON MAIDEN as triplet guitars reaches your ears, a beautiful style of power-charging melodic Thrash. In continuation, “Space Invaders”, has a very soothing group vocal hymn. The riffs are simple but very fitting and Andrea Csàszàr has a nice accent to his singing. This song excellently incorporates a drum solo/interlude accompanied by a catatonic guitar addition.

“See You in Hell” starts with an off-beat drum arrangement but as soon as the initial riff engages, the drums escapes its detrimental episode. As guitar melodies leak further, the drum varies in semblance changing like a chameleon out in the scorching hot sun. Then, a new melody enters as the guitar thrives on its uppity embodiment. Suddenly, there’s a second of silence, followed by the guitars going into its finest and fiercest display of thrash riffs yet. As the song progressed, Csàszàr says “hell” in almost a feminine voice. After its termination, the group decides to dispel the notion in unison by saying “In Hell!”. A bit after, the guitars and drums go into a descending pattern. The tone of the drums layered over the guitar riff is exquisite and as the solo approaches it goes into a technical almost classical composed idiosyncrasy.

On the latter part of “See You in Hell” you begin to hear a bit of speed metal. It continues its growing roots onto “Masters of Your Nightmares” but only on the former half. This is a quirky but interesting song. It can’t help but put a smile across your face as Csàszàr varies his execution to almost sound like a hyper foreign child. Along the chorus, there are the group vocals saying “…and there’s no key” in a subtly gentle but impacted method. “Money” is an almost acoustic and melody-driven instrumental to show the true horrors of how money is valued in society. It displays utter sadness in the state of money being the deciding factor in negotiations. How it blinds many to its seductive capabilities and strips human existence to its most primitive and ravaging breed.

“Bloody Fields” has a TOOL-sounding bass intro accompanied by a soft but intricate drum delicacy. This song uses some weird static sound effect that distorts Andrea Csàszàr’s voice. I don’t know if you’ve seen Dragon Ball Z but he sounds a bit like Android 19. Despite its effect, this song is very mellow-inducing. “From Paradise to Hell” flourishes one of the catchiest melodic riffs so far. It feels like the bright sun is shining down on you as you hear the waves lightly crash against the shoreline and taps your feet with its liquidity. In coherence with the previous, about halfway through “The Five Hunters”, prior to the solo, is one of the catchiest riffs. It sticks with you and it’s admittedly creative.

“Never Dies” reminds me of METALLICA’s “Whiplash” not instrumentally-wise but in regards to how the lyrics describe their sense of aptitude and life through a musician’s vantage point. Take note in how both songs are from each band’s debut full-length. “Wait For Sleep” is an excellent DREAM THEATER cover attempted by these guys.

HAMMERED is one of those special bands you don’t know what to think of them on contact but through trial and error delivers a memorial experience. I, spontaneously, gave this album a third spin and to my surprise it sounded unlike anything I’ve ever heard before. They play in a style I like to call as Melodic Thrash Metal with Speed and Traditional Heavy Metal influences. This is a very strong debut, full of catchy and visionary bearings.

copas from http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/h_2/hammered-the-beginning.htm

Tracklist:
1. No Time For Us
2. Space Invaders
3. See You in Hell
4. Masters of Your Nightmares
5. Money
6. Bloody Fields
7. From Paradise to Hell
8. The Five Hunters
9. Never Dies
10. Wait For Sleep (Dream Theater Cover)

TKP

password : bidadari

19 Jun 2013

Birth AD - I Blame You (2013)

Birth AD - I Blame You

Birth A.D.‘s 2009 debut EP, Stillbirth of a Nation left me craving for more, with the high energy and high intensity punk-infused style of thrash metal. The band this year finally returns after four long years with a brand new album I Blame You as the debut release under the new Dark Descent Records sub-label, Unspeakable Axe. With Dark Descent Records’ reputation of releasing good music, this certainly bodes well for the band, having gone through numerous obstacles along the way leading up to the release of the album.

Fans of bands such as Municipal Waste are gonna love I Blame You, as the band’s music is fast and furious, not unlike the aforementioned, and even the vocals of of Jeff are rather similar to Tony Foresta, as he spits out his lyrics with hate and spite. At the same time, songs like Mission Statement see the band giving a slight nod to bands like Slayer in the song progression, though what is present over here is much more straightforward and has a much higher presence of a somewhat punkish attitude in the energy that is emanated. Throughout the album though, the band manages to ensure that the experience is as mosh-friendly as possible, with the tunes on I Blame You being mostly catchy as fuck, with plenty of fist-pumping moments throughout.

The drums of Mark stands out in the band though, and apart from the usual punkish beats that are utilised, there are moments where he goes into an almost grindcore style, with the heavy usage of blast beats and rolls that are more akin to a death metal style like on Violent Retribution, though things are obviously much faster and much more intense over here. To be honest, this is one of the most enjoyable things on the record, and he certainly provides much of the energy that is present on the album.

Lyrics-wise, the band sticks to their usual themes of social commentary and some slight political rants, though songs like Wrong Again provide some (perhaps unintentional) comic relief, with the spoken sample in the middle of the track never failing to give me a chuckle whenever I listen to the track.

While there are a couple of songs that the band has reused from Stillbirth of a Nation, there is sufficient new material over here. But with the quality of the music that the band has already presented on their EP, who cares if some of the material are reused, as long as it provides for a moshing good time?

copas from http://heavymetaltribune.com/wp/2013/03/album-review-birth-a-d-i-blame-you/

Tracklist:
1         Mission Statement     1:37   
2         Equal Opportunity     1:32   
3         Burn L.A.     4:01   
4         Failed State     1:18   
5         Bring Back The Draft     1:47   
6         No Jobs (Don't Work)     1:46   
7         This Scene Sucks     2:43   
8         Violent Retribution     0:38   
9         No, Man     1:11   
10         I Blame You     2:00   
11         Fill In The Blank     0:53   
12         Wrong Again     2:47   
13         Short Bus Society     2:02   
14         Cause Problems     2:26   
15         Kill Everybody     3:37   
16         Popular War     2:30   
17         Parasites Die     2:04   
18         Blow Up The Embassy     1:55     

TKP

password : bidadariku

17 Jun 2013

Slayer - B Sides Rarities (2013)

Slayer - B Sides Rarities

Tracklist:
01. Piece By Piece (Studio Rough Mix/Outtake)
02. Aggressive Perfector (Fast Version)
03. Criminally Insane (Remix)
04. In-A-Gadda-Da-Vida (Iron Butterfly Cover)
05. Seasons In The Abyss (Alternative Mix)
06. Disorder (feat. Ice-T)
07. Sick Boy (GBH Cover)
08. Memories Of Tomorrow (Suicidal Tendencies Cover)
09. No Remorse (I Wanna Die) (feat. Atari Teenage Riot)
10. Human Disease
11. Unguarded Instinct
12. Wicked
13. Hand Of Doom (Black Sabbath Cover)
14. Scarstruck
15. Addict
16. Born To Be Wild (Steppenwolf Cover)
17. Cult (Radio Version)
18. Jihad (Radio Version)
19. Black Serenade (Alternate Version)
20. Final Six
21. Atrocity Vendor

TKP

password : my nymph

Psycho - Mankind Disease (2013)

Psycho - Mankind Disease

Tracklist:
01.Of Ascent In Spirit
02.Reign Misery
03.Thou Shalt Not Kill
04.The Depth Of Sorrow
05.God Against God
06.Demons
07.Requiem
08.Blest Dead

TKP

password : bidadariku

Evile - Skull (2013)

Evile - Skull

Evile has always occupied a strange space in the re-thrash movement. They seem to be one of the big wigs in the scene, yet I hear far less buzz about them than many other retro acts. They are also one of the few bands to eschew the common Slayer, Exodus and Testament mimicking in favor of a more traditional Metallica influence. Their sound generally exists in the phantom zone between the Master of Puppets and And Justice for All eras and the later works of long overlooked Wargasm. Since I love old school Metallica (despite their best attempts to make me burn all their albums) and loved Wargasm (especially their Ugly album), it seems these guys would be a no-brainer lock for Steel Druhm. However, apart from their debut, Evile‘s material never fully resonated with me. Their last album has some solid moments and respectable playing, but after reviewing it, I didn’t play it again until the refresher for this review (it also occurs to me I overrated it and should have given it a 2.5). I felt much the same for their Infected Nations outing (though AMG liked it).  Skull continues the trend of underwhelming me, but I will say this is some of their best material since the debut and at times it effectively conveys the joys of the Golden Era of thrash. Unfortunately, too much of it breaks upon the rocks of apathy, leaving nothing behind to hold onto.

Things open in fine form with “Underworld” which succeeds based on balls and attitude alone. The riffing is gleefully old school thrash and alternates between very Metallica-esque riffing and structures and a more Wargasm-y style (vocalist Matt Drake splits time sounding either Hetfieldian or like Wargasm‘s Bob Mayo). The title track channels Master of Puppets and has some nice riff patterns, while “The Naked Sun” has a memorable chorus. Also worthwhile is the Metallica stomp of “Head of the Demon” and “Words of the Dead” (though perhaps there’s a bit too much “Shortest Straw” mixed in the latter)

The power ballad “Tomb” borrows greatly from “Nothing Else Matters” and “The Unforgiven” and features some solid guitar-work and emotional vocals, but overall it falls a bit flat and is missing something to make it gel. Things really tank on the back-end  and the last three songs do nothing at all for me besides make my eyes glaze over from acute thrash fatigue. Making matters worse, they tend to write songs that run too long and overuse the decent ideas they have going for them (I guess this is another homage to their main influence).

Naturally, as a re-thrash opus Skull is very guitar-driven and depends on the riffs to do most of the talking. Ol and Matt Drake can surelyEvile-Unveils-New-Album-Art-And-Title-Band-Photo-2013 play and there are some solid riffs scattered around, along with some impressive solo-work. Sadly, the bulk of the riffs hit me as something I’ve heard way too many times and they don’t move me much. Instead, I find myself biding time spotting which riff was lifted from what Metallica album in a game I like to call Riff Robber™. While I usually enjoy Matt’s vocals and he shows decent power and finesse during “Tomb,” he can’t elevate the band’s sound to something truly memorable or make it more replayable.

Alas, poor Yorick, while there’s some growth in the song writing department, Skull still suffers from the same issues that kept me from fully supporting their previous material. If you loved their older stuff, this should work for you, and I wish it worked more for me. If I were you, I’d hunt down Wargasm‘s Ugly album instead. Nuff Said.

copas from http://www.angrymetalguy.com/evile-skull-review/

Tracklist:
01 – Underworld
02 – Skull
03 – The Naked Sun
04 – Head of the Demon
05 – Tomb
06 – Words of the Dead
07 – Outsider
08 – What You Become
09 – New Truths, Old Lies
10 – A Sinister Call (Bonus Track)

TKP

password : bidadari

16 Jun 2013

Sacred Steel - Reborn in Steel (1997) FLAC

Sacred Steel - Reborn in Steel

Even if you’ve never heard a single song by Sacred Steel you’ve probably at least heard stories of their singer. Gerrit P. Mutz, to many, has one of the worst singing voices in Metal, but to others, he gives the band plenty of character and a unique sound. I’m sort of in between, but that will be discussed later. I think the most important thing to do, for the time being, is look past the vocals and concentrate on the actual music, which when stripped down, is a mix of raw Power/Speed Metal with Thrash tendencies.

As one might guess from an opening song title such as, “Metal Reigns Supreme”, Sacred Steel are full of cheese and are out to destroy posers. Sound familiar? Indeed, some lyrics on here would make even Manowar grin, but I personally enjoy the lyrics. You have some songs that praise Metal and others are about battle, victory, and all things medieval. They’re by no means a major highlight, but I like them, in a guilty pleasure sort of way. As mentioned, the actual music is sort of a raw Power/Speed Metal sound that is mixed with some Thrash. The production is a little muted and the guitars are quite dirty… still clear enough to hear everything, but it’s a lot more raw than you typical crystal clean production Power Metal band. Likewise, in the classic 80’s fashion, every instrument is audible from the ride cymbal, to the bass guitar, to the pounding double bass. The actual music is very guitar driven as well. There are no keyboards to be found anywhere and there aren’t really any secondary melodic leads over the riffs. These is just pure, semi-Thrash/Power Metal riffs that are usually played fast, as most songs are up tempo, but occasionally the band does slow down for a more doomy and dark approach. Of course, 75 percent of this CD is filled with double bass and fast drumming with choppy guitars, but some nice variation is thrown in with songs like “Sword Of The King” and “Kill The Deceiver”. The former is almost progressive in nature as the first half is a slow, kind of dark song. I would not call it a ballad, but it’s definitely plodding. However, it eventually builds up to a fast song that has two distinct and very different sections. “Sword Of The King” demonstrates clever, if not somewhat commonplace, but the nevertheless still pleasing song writing. Other songs feature a mixture of the fast sections with a slow or mid-paced break here and there, while “Battle Angel” is somewhat different all together. This song is sort of in between fast and mid-paced, and has an interesting rhythm structure that you don’t hear Sacred Steel use too often.

I’d say overall that the music is well done. Every person in the band has a good skill level and there are some memorable riffs (the verse of “Purified By Pain” for example) and good guitar solos are woven into the songs throughout. The solos won’t win any awards for technical prowess, but they tend to fit the mood and rhythm of the song very well, and in the end I’d rather have that than someone playing a technical solo, just for the sake of it being technical. The production, though flawed, is a highlight in my opinion but that type of thing will depend on each persons taste. As for the vocals: Mutz uses a high-pitched singing style that is absent of any kind of vibrato or raw ability as found in some other well known Power Metal singers. You sort of have to hear it for yourself and it’s definitely not for everyone. I’ll be the first to admit that he isn’t that good of a singer, but maybe it’s because I’ve grown use to it over time, but Mutz just has a certain delivery and style that says, “this is Sacred Steel” and not a thousand other copy cat bands. How would they sound with a singer that has a similar skill level as say, Michael Kiske or Geoff Tate? It’s a simple answer actually; they wouldn’t sound like Sacred Steel anymore and while they probably would appeal to more people, that’s not what the band is about. They obviously have a high passion for Metal and if you don’t like them, they don’t care, and thus I have to respect that.

Sure, there is nothing overly amazing or fantastical about Reborn In Steel, but what Sacred Steel do, they do well and it thus a pleasing CD is present despite the faults which also include songs that just aren’t as interesting as the really good one’s on here. Every song has a highlight or two, that is obvious to me, but not every track is solid from beginning to end. Just look at the title track, which has an excellent verse and pre-chorus, but has an actual chorus that is kind of generic and boring. When it comes down to it, try before you buy and don’t automatically dismiss them after hearing the vocals for the first time. The vocals are an acquired taste, and granted, not everyone will like them (believe me, some don’t), but give them a chance, because the actual music is easy and fun to listen to, at least that's how I feel.

Song Highlights: Metal Reigns Supreme, Battle Angel, True Force Of Iron Glory, Purified By Pain, Sword Of The King, In The Mouth Of Madness, Sacred Steel

copas from http://www.metal-archives.com/reviews/Sacred_Steel/Reborn_in_Steel/637/

Tracklist:
    Metal Reigns Supreme
    Battle Angel
    Trapped In Hell
    True Force Of Iron Glory
    Reborn In Steel
    Purified By Pain
    Sword Of The King
    In The Mouth Of Madness
    Kill The Deceiver
    Sacred Steel


TKP


password : nymph

Rusted Brain - High Voltage Thrash (2013)

Rusted Brain - High Voltage Thrash

The late 80s again come to haunt, infest their violent manner, speeding and bearing the weapons of the past, bracing the will endorse your mounts of rushing adrenaline and seize your soul. There is something addictive about speedy Metal music that is the nourishment for the blood to boil within, so much excitement, and a vigorous euphoria. But hey, I don't think that I need to tell you that. So here we go with another Speed / Thrash band, surging to take part in the new wave of bands influenced by the genre's ugly, yet classic side of the table. Hailing from the frosty Poland, here comes the RUSTED BRAIN force of evil. Well, not too evil, more accurately wild and free. Heavily influenced by METALLICA and raw full throttle madness of RAZOR, these guys take no prisoners with their debut power consumption of "High Voltage Thrash", via Slaney Records. Nonetheless, while it would seem that the youthful spirit flows like a fine alcoholic brand in a nonstop brewery establishment, RUSTED BRAIN aren't something, at least for now, that is close to inspiring.

It was quite evident right from the beginning of the release that RUSTED BRAIN didn't came to sell themselves with a new product of Metal potency. Stomping the METALLICA way of "Kill 'Em All" and "Ride The Lightning", and RAZOR favorable efforts of the mid 80s of  "Evil Invaders" and "Malicious Intent", there is no way you will not bang your head at least a few times while listening to "High Voltage Thrash". Believe that it abides by its title, electrocuting with some of the finest rhythm guitar riffs of the genre, played just right along with a suitable sound preset following an old school directive. "Bloodpath", "Terrorzone" and "Executor", with their straightforwardness and inevitability, set the tone rather clear, onwards to attack with no remorse as blood will enforce the laws of the pit. As you noticed, RUSTED BRAIN's profound possession is the fact that they are young and energetic with a lot of steam to let out. Furthermore, they truly knew how to exploit the old METALLICA memory of the iconic past, which today is as a very distant memory, especially when it comes to the riffs and Hetfield like vocals. Despite their admiration for the past, Garnering Thrash Metal's old habits, the band's obviousness turned out to be their greatest foe while producing stuff that isn't that stimulating in the second listen or beyond. It is like a very rapidly satisfied hunger gone away with the wind with getting back in a flash. Sure that the songs that I mentioned will attain a place in a Thrasher's heart, but there is a need for more of those.

For a debut release, I think that these guys deserve this score. No doubt that perfecting their style even more will aid them on becoming more than just a partner in a big wave of bands. Luck is also a factor, but the music is the basics and will always be. Die hard Thrashers should take a bite from the feeding hand of RUSTED BRAIN, the storm awaits.  

copas from http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/r_2/rusted-brain-high.htm

Tracklist:
1. Intro (Apocalyspe Now)
2. Caught in the Fire
3. Bloodpath
4. Waiting for Death
5. Juggler
6. Terrorzone
7. Executor
8. High Voltage Drunk
9. Burn 'Em

TKP

psddword : nymph

15 Jun 2013

Extrema - The Seed Of Foolishness (2013)

Extrema - The Seed Of Foolishness

According to Extrema's people they have had, "astonishing career," are a, "much celebrated Thrash Metal machine" and that The Seed of Foolishness, "takes its inspiration from a series of events that led to the economic crisis that we are all suffering today, providing therapy for all the anger and frustration resulting from it." Ergo Extrema are commenting upon the terrible state in which the world finds itself and what could reflect that more than a goat(?) headed business man flipping the bird on the cover – one of the worst album covers I've seen for quite a while. That said, we won't be listening to the cover will we, so what's the music like?

It is thrash metal unsurprisingly! Tracks like "The Distance" (and most others actually) are pretty brutal without ever doing enough to stand out from the pack. Therein lies the major problem with The Seed of Foolishness, namely that there is nothing on offer that we haven't heard before and mostly heard done slightly better. There is very little wrong with this album in the sense that it sounds fine, is well-played and well-produced in a let's annoy the rest of the street kind of way but it just isn't memorable enough. Even the over-arching, "isn't the word shit?" theme is difficult to discern or remember more than a minute or two after the album has concluded.

copas from http://www.seaoftranquility.org/reviews.php?op=showcontent&id=14483

Tracklist:
    Between The Lines
    The Politics
    Pyre of Fire
    Bones
    The Distance
    Again And Again
    Ending Prophecies
    Deep Infection
    Sick and Tired
    A Moment Of Truth

TKP

password : bidadari

14 Jun 2013

Beholder - The Order of Chaos (2013)

Beholder - The Order of Chaos

Following on from their debut album 'The Awakening' Beholder return with 'The order of Chaos'. There's no dressing things up here, it does exactly what it says in the tin! It' s a straight up honest piece of British Heavy Metal.

The songs have a nice variety there's plenty if melody, big sections of thrash but they focus mainly in groove! something a lot of modern metal bands seen to leave out all too often. Frontman Simon Hull has a great range on his clean vocals, has an awesome growl and makes pretty good use of spoken word passages. All in all he is reminiscent of Paul Dianno. Though saying that 'Morphine Serenity' wouldn't actually sound out of place on one of Bruce Dickinson's solo albums.

All round a solid Metal release not earth shattering bit a good all round band well worth keeping in your radar

Review by Joe Denby copas from http://www.musictrespass.com/content/heavy/review/beholder-order-chaos-cd-album-review

Tracklist:
01. Black Flag (6:29)
02. Profit Of The Lie (4:19)
03. Here I Stand (5:31)
04. Splinter (4:02)
05. The Tale Of Eleanor Grey (5:43)
06. Killing Machine (4:46)
07. Morphine Serenity (5:41)
08. Liar (4:34)
09. Toxic Nation (4:39)
10. Out Of Ashes (3:10)
11. Footprints (7:30)
12. This Blackened Earth (8:18)

TKP

password : bidadari

13 Jun 2013

Stoneload - Addict (2013)

Stoneload - Addict

Tracklist:
01 - Addict [00:05:53]
02 - Shattered [00:05:07]
03 - Avenger [00:04:19]
04 - Visions [00:05:27]
05 - Never Again [00:05:34]
06 - Fallen One [00:04:02]
07 - Ix [00:06:49]
08 - Foolish Pride [00:05:29]
09 - Have It All [00:04:24]

TKP

password : my nymph

7 Jun 2013

Critical Solution - Evil Never Dies (2013)

Critical Solution - Evil Never Dies

Tracklist:
01. God Of Anarchy
02. Sad Hill
03. Crime Of Passion
04. Wallace Green
05. This Burning Hate
06. The Execution
07. Dead Man Walkin’
08. Evil Never Dies
09. Soulmaker
10. Hell’s Warrior
11. War Machine
12. Speed King (Deep Purple cover)
13. Killed By Death (Motörhead cover)
14. Seek And Destroy (Metallica cover)

TKP

password : bidadari

11 May 2013

Sacred Steel - Reborn in Steel (1997)

Sacred Steel - Reborn in Steel

Even if you’ve never heard a single song by Sacred Steel you’ve probably at least heard stories of their singer. Gerrit P. Mutz, to many, has one of the worst singing voices in Metal, but to others, he gives the band plenty of character and a unique sound. I’m sort of in between, but that will be discussed later. I think the most important thing to do, for the time being, is look past the vocals and concentrate on the actual music, which when stripped down, is a mix of raw Power/Speed Metal with Thrash tendencies.

As one might guess from an opening song title such as, “Metal Reigns Supreme”, Sacred Steel are full of cheese and are out to destroy posers. Sound familiar? Indeed, some lyrics on here would make even Manowar grin, but I personally enjoy the lyrics. You have some songs that praise Metal and others are about battle, victory, and all things medieval. They’re by no means a major highlight, but I like them, in a guilty pleasure sort of way. As mentioned, the actual music is sort of a raw Power/Speed Metal sound that is mixed with some Thrash. The production is a little muted and the guitars are quite dirty… still clear enough to hear everything, but it’s a lot more raw than you typical crystal clean production Power Metal band. Likewise, in the classic 80’s fashion, every instrument is audible from the ride cymbal, to the bass guitar, to the pounding double bass. The actual music is very guitar driven as well. There are no keyboards to be found anywhere and there aren’t really any secondary melodic leads over the riffs. These is just pure, semi-Thrash/Power Metal riffs that are usually played fast, as most songs are up tempo, but occasionally the band does slow down for a more doomy and dark approach. Of course, 75 percent of this CD is filled with double bass and fast drumming with choppy guitars, but some nice variation is thrown in with songs like “Sword Of The King” and “Kill The Deceiver”. The former is almost progressive in nature as the first half is a slow, kind of dark song. I would not call it a ballad, but it’s definitely plodding. However, it eventually builds up to a fast song that has two distinct and very different sections. “Sword Of The King” demonstrates clever, if not somewhat commonplace, but the nevertheless still pleasing song writing. Other songs feature a mixture of the fast sections with a slow or mid-paced break here and there, while “Battle Angel” is somewhat different all together. This song is sort of in between fast and mid-paced, and has an interesting rhythm structure that you don’t hear Sacred Steel use too often.

I’d say overall that the music is well done. Every person in the band has a good skill level and there are some memorable riffs (the verse of “Purified By Pain” for example) and good guitar solos are woven into the songs throughout. The solos won’t win any awards for technical prowess, but they tend to fit the mood and rhythm of the song very well, and in the end I’d rather have that than someone playing a technical solo, just for the sake of it being technical. The production, though flawed, is a highlight in my opinion but that type of thing will depend on each persons taste. As for the vocals: Mutz uses a high-pitched singing style that is absent of any kind of vibrato or raw ability as found in some other well known Power Metal singers. You sort of have to hear it for yourself and it’s definitely not for everyone. I’ll be the first to admit that he isn’t that good of a singer, but maybe it’s because I’ve grown use to it over time, but Mutz just has a certain delivery and style that says, “this is Sacred Steel” and not a thousand other copy cat bands. How would they sound with a singer that has a similar skill level as say, Michael Kiske or Geoff Tate? It’s a simple answer actually; they wouldn’t sound like Sacred Steel anymore and while they probably would appeal to more people, that’s not what the band is about. They obviously have a high passion for Metal and if you don’t like them, they don’t care, and thus I have to respect that.

Sure, there is nothing overly amazing or fantastical about Reborn In Steel, but what Sacred Steel do, they do well and it thus a pleasing CD is present despite the faults which also include songs that just aren’t as interesting as the really good one’s on here. Every song has a highlight or two, that is obvious to me, but not every track is solid from beginning to end. Just look at the title track, which has an excellent verse and pre-chorus, but has an actual chorus that is kind of generic and boring. When it comes down to it, try before you buy and don’t automatically dismiss them after hearing the vocals for the first time. The vocals are an acquired taste, and granted, not everyone will like them (believe me, some don’t), but give them a chance, because the actual music is easy and fun to listen to, at least that's how I feel.

Song Highlights: Metal Reigns Supreme, Battle Angel, True Force Of Iron Glory, Purified By Pain, Sword Of The King, In The Mouth Of Madness, Sacred Steel

copas from http://www.metal-archives.com/reviews/Sacred_Steel/Reborn_in_Steel/637/

Tracklist:
    Metal Reigns Supreme
    Battle Angel
    Trapped In Hell
    True Force Of Iron Glory
    Reborn In Steel
    Purified By Pain
    Sword Of The King
    In The Mouth Of Madness
    Kill The Deceiver
    Sacred Steel

TKP

password : bidadariku

3 May 2013

The Scorched Earth Orchestra - Metallica's Master of Puppets (2006) FLAC

The Scorched Earth Orchestra - Metallica's Master of Puppets

Country: LA USA
Genre: Instrumental Metal / Tribute / Symphonic
Year: 2006
Format: FLAC (image +. Cue)
Bitrate: lossless
Duration: 52:10

Tracklist:
# 01 Battery - 5:12
# 02 Master of Puppets - 8:01
# 03 The Thing That Should Not Be - 6:32
# 04 Welcome Home (Sanitarium) - 5:25
# 05 Disposable Heroes - 7:52
# 06 Leper Messiah - 5:38
# 07 Orion - 8:19
# 08 Damage, Inc. - 5:11


TKP


password : bidadariku

29 Apr 2013

Testament - Live Wacken 2012

Testament - Live Wacken 2012
 

Tracklist

01. Rise Up - did not show
02. The New Order - not shown
03. The Preacher - not shown
04. Native Blood
05. True American Hate
Interview
06. More Than Meets the Eye
07. Dark Roots of Earth
08. Into the Pit
Interview
09. Practice What You Preach
10. Over the Wall
Interview
11. DNR (Do Not Resuscitate)
12. 3 Days in Darkness

Genre: Thrash Metal
Duration: 00:56:35
Year: 2012
Quality: HDTV 720p
Container: TS
Video codec: H.264
Audio codec: AC3
Video: AVC, 1280:720, 16:9, 13,2 Mbit / s, 50,000 frames / sec
Audio: AC-3, 448 kbit / s, 48.0 KHz, 2 channels

TKP

password : nymph

25 Apr 2013

Sepultura-Live Wacken (2012)

Sepultura-Live Wacken 2012
 

Tracklist

01. Refuse / Resist
02. Sepulnation
03. Kairos
Interview
04. Mask
05. We've Lost You!
06. Structure Violences
Interview
07. Requiem
08. Firestarter (Prodigy Cover)
Interview
09. Territory
10. Ratamahatta
11. Roots Bloody Roots

Genre: Thrash Metal
Duration: 00:55:26
Year: 2012
Extras. Information: All credit abbath2008
Quality: HDTV 720p
Container: TS
Video codec: H.264
Audio codec: AC3
Video: AVC, 1280x720, 16:9, 13.2 Mbit / s, 50,000 frames / sec
Audio: Dolby AC3 48000Hz stereo

TKP

password : bidadari

8 Apr 2013

Enforcer - Death By Fire (2013)

Enforcer - Death By Fire

Enforcer is an easy band to poke fun at (and lord knows if AMG was writing this review, much poking would ensue). Though from Sweden, they play a retro style that seeks to hit the sweet spot between NWOBHM and early American speed metal acts like Abattoir, Attacker, old Anthrax (i.e. their debut) and Jag Panzer, with the occasional dose of hair metal/cock rock tossed in for shits and giggles. This style calls for a fair amount of skin-tight white jeans, hairspray, bullet belts and overall silliness pasted on a rickety frame of Iron Maiden and Saxon riffs sped up to a quasi-thrash pace. How that strikes you is a very personal matter and I’m not one to judge (that’s a lie. I’ve been silently judging you all for years). Personally, I found their first two albums light-weight, escapist fun, especially 2010s Diamonds. I expected more of the same here on Death by Fire and that’s exactly what I got. However, this time it isn’t sitting as well for a number of reasons. Maybe their style and approach has a limited shelf life (as does the whole retro-80s wave) and this baby is smelling a little…off.
Things kick off with the zippy and speedy “Death Rides the Night,” which sounds like old Jag Panzer played at the wrong speed. Although it’s a pretty fast and furious ditty, the chorus sounds like something lifted off Poison‘s Look What the Cat Dragged In. While that makes for a weird dichotomy, the old school zest of the playing makes it work, especially the exuberantly excessive solos and the vintage, “screaming mimi” vocals employed by Olaf “The Enforcer” Wikstrand. Likewise, follow ups “Run for Your Life” and “Mesmerized by the Fire” are fun, throwback 80s metal time capsules with plenty of energy, plenty of Maiden-styled galloping riffs and not a trace of brains anywhere to be found (I particularly enjoy the rousing, fist-in-the-air chorus of the latter).
After the promising start, Death by Fire quickly starts to put out the flames of its own momentum with some lackluster writing on the back half. “Take Me Out of This Nightmare” is passable, but nothing more. The instrumental “Crystal Suite” sounds like a collection of segments from the first two Maiden albums pasted together with a bit of Diamond Head serving as the glue. Not bad, not good either. “Sacrificed” is a weak track with a chorus that almost becomes memorable, but can’t quite get there, and while the riffing reminds me a bit of Mercyful Fate, it still doesn’t do much for me. “Silent Hour/Conjuration” has some nice riffs flashing in and out, but the song itself is a bit dodgy and by the time closer “Satan” arrives, I was quite tired of the whole Enforcer shtick.
The strength of Enforcer‘s sound is the frenzied and truly old school guitars courtesy of Olaf and Joseph Tholl. They loot the storehouse of Maiden, Priest, Jag Panzer and every other member of the NWOBHM and American speed metal camps and when it works, it results in some fun, nostalgic noodling. That said, it can also wear thin after a while, as it did here around the half-way point.
Making matters worse, Olaf’s vocals seem much more annoying this time out and his screaming and chirping didn’t strike me as quite so cute and old-timey as they did in 2010. Add to that a fragile, tinny, high-pitched production and often underwhelming song craft, and Death By Fire ends up with more smoke than flaming metal glory. I will say, I enjoyed the very audible bass work by Tobias Lindgvist. While he’s no Steve Harris (though the lyrics here are about as crappy as his recent works), I found myself listening to his lines more than the dueling guitar on several of the songs.
My half-apathetic reaction to Death By Fire caused me to return to Diamonds to see if I had become jaded and tired of all things retro. Turns out I still enjoy their prior platter and that’s largely the result of better, more consistent writing. It always comes back to the writing, people! At any rate, this is a noticeable drop off from Diamonds, but it has its moments. Luckily, they took the time to segregate all the good stuff on the front of the album, so cherry picking is extra simple for you MP3 types. That was mighty considerate of them.

copas from http://www.angrymetalguy.com/enforcer-death-by-fire-review/

Tracklist:
01. Bells Of Hades
02. Death Rides This Night
03. Run For Your Life
04. Mesmerized By Fire
05. Take Me Out Of This Nightmare
06. Crystal Suite
07. Sacrificed
08. Silent Hour / The Conjugation
09. Satan

TKP

password : my nymph